Sunday, July 19, 2020

All Tangled Up

Cutting a wide swathe across several regional Indian cuisines, with many finding a permanent position in the country’s mainstream culinary landscape, are a mind-boggling variety of ‘inspired’ noodle and dumpling preparations. 




By Raul Dias

Isn’t it fascinating, how food somehow manages to find a catalytic role to play in almost every socio-political discourse drama here in India? From the kind of meat one is ‘allowed’ to eat or not, to the rather banal debate often centred around the North’s roti reverence v/s the South’s obsession with rice, we’ve been spectators to it all.
But none, perhaps, pertaining more to what we know, love and… yes, paradoxically hate as ‘Chinese food’. A cuisine that we’ve ingeniously co-opted to form a hybrid in the guise of the coriander leaf and garam masala redolent Chindian food.
In 2012, we had a khap panchayat in Haryana’s Jind district blaming the consumption of “hormonal imbalance evoking” chowmein behind the growing incidents of rape in India. Yes, try chewing on that indigestible titbit.
The most recent salvo fired against the cuisine being union minister Ramdas Athawale’s call to boycott, what he terms ‘Chinese food’, demanding that restaurants serving it should be banned. All this vilification, never minding the fact that said chowmein is as Chinese as chaat probably is. Or that another Chindian staple, chicken Manchurian was invented in Mumbai in the late 1970s by Nelson Wang, a third-generation Chinese chef born in Kolkata!

Strands of History
What is really interesting to note here is that we in India have had a tryst with Chinese cuisine way before dishes like chowmein and chicken Manchurian entered our local culinary lexicon. Unbeknownst to us and thanks to ancient international trade routes like the Silk Road and to the Chinese Buddhist scholar Xuanzang, who travelled extensively around India in the 7th century, Chinese cuisine has lent to us several regional noodle and dumpling iterations. Much like it has to Italy’s celebrated pasta repertoire. Something many believe to be a direct result of the 13th century cultural appropriations by the famous Italian explorer Marco Polo.
Speaking of Italy, we may as well set the record straight about the whole which-came-first-the-pasta-or-the-noodle conundrum. Irrefutable evidence in the form of a 4,000 year old bowl of millet noodles unearthed in an archaeological settlement in the Laija region of Northwest China has proven that most forms of noodles and dumplings—be they rolled, cut or extruded—have indeed come to the world from China.
This is exactly how one of India’s most beloved and popular vermicelli-like dried noodles that we know multifariously as seviyan in Hindi, sevai in Tamil and semya in Telugu came into being. Adapted from Italian vermicelli, also called angel hair pasta or minutelli (that was itself adapted in the 14th century from an ancient Chinese super fine rice noodle called mai fun) the rice noodle is used in both sweet preparations like kheer and payasam and in savoury ones like upma, here in India. The slightly fatter and freshly extruded idiyappam or noolputtu as it is known as in Kerala and Tamil Nadu respectively is another hybrid rice noodle that is steamed in coils and eaten with both sweet and savoury accompanying dishes like egg curry.
Similarly, the translucent, corn or arrowroot-starch noodles found at the bottom of a glass of falooda came to India from Iran, another pivotal country on the Silk Road, where they are called faloodeh. The north Indian sweet called sutarpheni is another rice-based noodle of Chinese origin that was introduced to Indian cuisine by way of the Turkish who call it pismaniye.

Adapt and Thrive
It is by turning our attention to the lesser known, more regional varieties of Indian noodles and dumplings—particularly in the high North and Northeast of the country—do we see how well the original Chinese ones have been adapted and assimilated into the culinary milieu. Take for instance the steamed Shanghainese nian gao rice dumplings made from dense rolls of pounded glutinous rice. Cooked in a warming stew along with yak meat, the kyu which is made from wheat dough is a popular dumpling in both Ladakh and Spiti and a dead ringer for the nian gao.
Chutagi another Ladakhi dumpling that came to the region via the Silk Road from Central Asia is a bow-tie shaped dumpling used in a soup that is made from meat and vegetables and similar to a thukpa. Ladakhi cuisine is also known for its sweet dumpling called pakchel mirku that is cooked into a warming dessert along with ghee and dried yak cheese called churrpi. 
Assam too has its own version of the Chinese bee tai bak (rat tail) rice noodle that takes the form of anguli pitha. Named after the pinky finger (anguli) that they resemble, these extruded rice dumplings are eaten as a teatime snack when cooked with onions, green chillies and tomatoes. The chushi and jhinuk pitha originally from east Bengal are more examples of dried rice flour-based dumplings that can be reconstituted by adding them either to a savoury curry or a creamy, milk-based payesh.
This sweet-savoury adaptability is also one of the chief characteristics of the tiny ring-like dried dumplings called sarvale. Found in the cooking of Goan Muslims, sarvale are either boiled and served with a topping of scrambled eggs for breakfast or as yet another kheer-like thickened milk dessert. Substituting dairy for the thick, first extract of coconut milk is the delicious coastal Maharashtrian noodle dessert called naralyachya dudhache shiravlya where rice noodles are cooked with the coconut milk along with sugar and cardamom and served during festivals like Ganesh Chaturthi.           

The Desi Twist
While most of China’s noodle and dumpling varieties are made from either rice, corn or wheat, there are a few made from legumes like the mung bean cellophane noodle called fen si. Interestingly, Indian dumpling adaptations—particularly in regions like Gujarat, Rajasthan and Uttar Pradesh—seem to focus on these. 
With its glossy surface speckled with tempered black mustard seeds and a scattering of freshly grated coconut flesh and coriander leaves, the Gujarati khandvi made from a mixture of gram flour and buttermilk is also spread on a flat surface to set before being rolled up into bite sized morsels, much like the Cantonese dim sum dumpling called cheung fun.
Still in Gujarat, the wheat-based dumplings of dal dhokli that are submerged in a spiced lentil stew are another example of adaptation. As are other regional Rajasthani dishes like the chickpea flour dumpling strip-based besan chilla ki subzi and Varanasi’s sui mai-meets-ravioli like wheat pockets called dal ka dulha.
Wonder what Marco Polo and Xuanzang would have made (pun intended!) of these?


(An edited version of this article first appeared in the 19th July 2020 issue of The Hindu newspaper's Sunday Magazine section on page 8 (https://www.thehindu.com/life-and-style/food/all-tangled-up-the-straight-and-narrow-of-chindian-food/article32113300.ece)


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