Sunday, April 28, 2019

Feast of The Valley!

Replete with its own set of customs and unique dishes, the Kashmiri wazwan is an elaborate, multi-course feast that no important celebration in the beautiful valley can ever be complete without, discovers Raul Dias




By Raul Dias

It is said that Kashmir is a land of extremes where nothing is done in half measure. The intensity of Mother Nature is at its brilliant best with powdery snow-capped winters giving way to mind-numbingly beautiful springs. The latter, bringing with it the heady, intermingling fragrance of pine and cedar and montages of velvety green grass-covered meadows with frolicking sheep. Add to that cascading waterfalls and the glass-like surface of the Dal Lake, replete with gently gliding shikaras, and you have all the makings of one of the most visually stunning places on earth.
But there is one more, very important aspect that augments this reality of Kashmir being a virtual paradise on earth—the wazwan! A gourmand’s fantasy come true, this elaborate multi-course ‘foodstravaganza’ is a must at any major celebration in the valley. In fact, it is said that come marriage season, it is the availability of the vaste waza or master chef that determines the wedding date and nothing else.

Meat-Feast
A portmanteau of the words ‘waza’ for the chef and ‘wan’ meaning spread, the wazwan has its own set of rules which are strictly followed. For one, it can have anywhere from seven to thirty dishes, served in a particular sequence and can take anywhere from three to five hours to go through, often lasting well into the whole night. Second and most importantly, a wazwan is an almost-entirely carnivorous affair, where lamb is at the center of all things, though there are a few vegetarian dishes thrown in as peace offerings, but more on those later!
Served on a communal platter called a trammi—for a minimum of four people, all seated on a carpet called a dastarkhwan—the meal cannot begin until each person has washed their hands. This is done table side in a copper basin called a tash naer. Once cleansed, one can partake in the meat-feast that is like no other. Covered with a domed lid called a sarposh, the trammis are laden with the ‘inaugural’ dishes like the long, minced lamb seekh kabab and the delicately spiced tabak maaz yogurt marinated lamb ribs–all served over white rice. Other dishes include the roast leg of lamb called daeni phoul and the waze kokur roast chicken that’s garnished with chopped coriander and melon seeds.
Mains are a procession of elaborate lamb gravy dishes like the pounded meatballs in a red sauce called rista, the yogurt and coriander rich daniwal korma and the famous roganjosh (‘rogan’ is oil and ‘josh’ is heat) that gets its intense red colour from the typically Kashmiri cockscomb flower called mawal. Other less-spicy dishes also form part of the main course and chief among these is the totally spice-bereft aab gosh that sees sheep ribs simmered in a milk-based gravy that’s flavoured with just saffron and green cardamom.
Always served at the end of the wazwan is its crowning glory, the ghustaba. Similar to the rista, in that, here too lamb meat and fat pieces are pounded together with a wooden mallet over a flat stone to form round balls. But the gravy called a yakhni in a ghustaba is totally different made from yogurt and aromatic spices.       

Vegetarian Delights
Before one accuses the waza of totally neglecting the vegetarians, he makes sure to send out a modest number of veggie dishes. Speaking of yakhni, the vegetarian version sees lotus stem called nadru standing in for the meatballs. Cooked in a rather pungent mustard oil-based gravy, similar to spinach, monji haak is chopped collard greens spiced with the de rigueur Kashmiri red chillies.
Another must-have in the veg section is the ruwangan chhaman. Here, cottage cheese called chhaman in Kashmiri is simmered in tomato sauce and flavoured with spices and saunf (fennel seeds) for a fragrant, yet delicate taste. Besides the aforementioned white rice, a wazwan can also include another rice preparation that takes the form of the sweet and nutty pulao that’s studded with nuts, dried fruits like apricots, flavoured with saffron and garnished with fried onions.

The Supporting Acts
Besides bowls of crisp tomato-cucumber-onion salad and earthen pots of cooling yogurt, the main wazwan sees a virtual procession of differently flavoured chutneys as accompaniments. Prime among these is doon chetin or walnut chutney made with the valley’s favourite nut, yogurt and chillies. Made with sliced onions that are soaked in vinegar and flavoured with dried mint leaves and red chilli powder, the supremely spicy gande chetin is another must-have.
On the contrary, the sweet mesheid al or pumpkin chutney is made with yogurt and other mild ingredients like pumpkin, dates, cardamom and nuts to which a dash of honey is added. Also popular is the muji chetin that is a melange of just two ingredients: radish and yoghurt, with the former believed to be good for health and for having a cooling effect on the stomach after the excesses of the wazwan.
Interestingly, not many desserts form part of the wazwan with just the kaung phirin made from semolina and thickened sweet milk stepping in for a sweet, simple and suitable ending! 


Kahwa-the post-feast cuppa
One of the most perfect and soothing ways to draw a close to an elaborate…and yes, calorific wazwan is by sitting down, legs stretched et al for a cup of the refreshing, typically Kashmiri tea preparation called kahwa. Prepared the traditional way, kahwa is made from green tea that is steeped in warm water to which strands of fragrant saffron, green cardamom, cinnamon and thin slivers of almonds are added. Served from an intricately decorated brass spouted kettle called a samovar, kahwa is always had without any milk, sweetened with a dash of honey. 

(An edited version of this column first appeared in the 28th April 2019 issue of The Free Press Journal newspaper's Weekend section on page 3 https://www.freepressjournal.in/travel/kashmiri-wazwan-feast-of-the-valley/1514388)

Saturday, April 20, 2019

The Emperor’s New Clothes!

Ahead of the coronation ceremony of the King of Thailand, the royal silk weaver’s village of Ban Tha Sawang in the country’s North Eastern Isan province is a hive of activity as its skilled artisans weave their magic into the silk fabrics destined for royalty.    




By Raul Dias

My favourite pad thai hawker in Bangkok is Pimjai Suttirat. A tiny, ever-smiling lady from whose food cart along soi 4 in the Sukhumvit area I’ve often sought post-bar-hopping sustenance over the years. For the last two months, she tells me, she’s only worn clothes in hues of yellow—the King’s official royal colour.
For most Thai people like Pimjai, the pomp and glory behind the upcoming 5th of May date will be a phenomenon that they will probably witness just once in their lifetime. This red-letter day is when King Maha Vajiralongkorn Bodindradebayavarangkun will formally be crowned at the Phutthaisawan Prasat Throne Hall in Bangkok’s Grand Palace, making him King Rama X of the Chakri Dynasty. The last time a day like this was celebrated, was exactly 69 years ago at his father, the late King Bhumibol Adulyadej’s coronation on the 5th of May 1950.
I’m here precisely a month before the coronation and Bangkok is buzzing with all sorts of activity. Ten times more than it already does. Making it seem as though adrenaline, not water surges through the mighty Chao Phraya river that flows a few meters away from the Grand Palace. The army is out in full force practicing their march past routines, roads are being re-tarred, and pavements repaired, while gardens get a floral manicure. A lot of this, under the forgiving cover of darkness. A time when some sort of normalcy is restored to the otherwise turbid Thai capital.
But far from Bangkok in the North East of Thailand, an entirely different ‘yarn’ is being unspooled…

Royal Threads
A short, 8km west of the city of Surin along Route 4026, the village of Ban Tha Sawang is one of the many artisanal villages in this belt of the Isan province that are known for their silk weaving prowess. Places where almost every family is involved in the silk producing business in some way or form; be it silk thread spinning, ikat pattern making or extracting the silk dye from lac for reds, indigo for blues and turmeric tree bark for yes, the Thais’ favourite yellows!
But what sets Ban Tha Sawang apart from the rest (and I’m not just referring the village’s entry arch that is made up of two plump, kissing fiberglass silkworms!) is the fact that it holds the royal warrant for producing the finer silk brocades called pah yok torng for all royal occasions. And the coronation is no exception, with bales of the brocade already been sent to the royal costumers in Bangkok, while some are still being finished.
But that’s all I’m told about the royal order as I pay a visit to Baan Chansoma, a family-run business that’s spread over several Isan-style wooden workhouses, surrounded by a lush garden with the smell of frangipani omnipresent. As the largest of all the silk weaving houses in Ban Tha Sawang, Baan Chansoma is believed to be making the most important of all the ceremonial fabrics. All this, in a specially cordoned off section of the complex, away from the prying eyes of nosey writers like me.
All I’m allowed to see is one of the giant handlooms with over 1,400 intricately laid out heddles manned or perhaps I should say ‘womanned’ by four lady weavers working on a ‘non-royal’ green-blue silk stole commissioned piece that they started on a week ago. The weaving, one of them, 56-year-old Samraug Sang Tabtib, tells me, will go on for another month and a half. “We can weave only around 4-5 centimeters of the fabric per day, as this particular pattern is vey intricate and requires a lot of concentrations and nimble finger work,” says Khun (a respectful prefix, like the Indian suffix of ji) Tabtib, as she carefully inspects the two-toned fabric she’s weaving, just like she’s been doing every day for the last 40 years. “Like most of the villagers of Ban Tha Sawang, my mother too is a master weaver and I’ve been helping her weave ever since I was 10. But it was only when I turned 16 did she let me weave an entire fabric piece my own.”

Its Weight in Gold
Later in the day, I’m not surprised when I’m told by Nirandra Sailektim, a member of Baan Chansoma—and a disciple of its founder and the resident royal artisan Weeratham Taragoonngernthai—that each piece can take anywhere from six months to three years to be finished, costing upwards of 50,000 baht (Rs 115,000 approx.) a meter. “This is because we never repeat a pattern and only take orders for commissioned pieces. We have no retail business as such, so as to maintain our exclusivity to our VIP patrons,” he lets me know, still tightlipped about the status of the coronation fabrics. “All I can confirm is that, yes, we are a big part of the coronation ceremony.”
Interestingly, it was under the patronage of the King’s mother, Queen Sirikit’s Promotion of the Supplementary Occupations and Related Techniques (SUPPORT) Foundation in the early 2000s that new life was infused into the dying art of handloom silk weaving vis-à-vis the power loom. It was all thanks to the Queen’s personal funds that Ban Tha Sawang’s villagers got the means and facilities to continue producing the exquisite fabric that will soon go into the making of the ‘Emperor’s new clothes’! 



TRAVEL LOG

Getting There 
There are daily, direct flights from most major Indian cities to Bangkok, the capital of Thailand on several airlines. There are plenty of trains, buses and minivans that link Bangkok with Surin, Isan’s largest city in under six hours. Travel within the Isan province is very easy with cheap and plentiful transport options available, including private taxis, buses and mini vans. The easy-to-procure visa on arrival to visit Thailand costs Rs 2,000.

Stay
Surin and neighbouring Buriram have an excellent selection of hotels to choose from to suit all budgets and tastes. Two such options are Surin Majestic Hotel (Rs 2,500 for two without breakfast, surinmajestic.com) and the brand new, contemporary design art hotel the Cresco Hotel Buriram (Rs 4,300 for two with breakfast, crescoburiram.com).

Tip
* Drop in at Tew Pai Ped Yang in Pimai for a lunch treat of its special Isan-style charcoal grilled duck. This iconic food shop is also famous for its fried noodles, fermented pork ribs and other North Eastern style Thai dishes like the raw papaya som tum salad.
* Make sure to visit the nearby Muang Tum temple complex in Buriram. This 1,000 years old Hindu temple lies at the base of an extinct volcano and is greatly influenced by the Khmer style of temple architecture, as it is not far from the border with Cambodia. Also, worth a detour is another Khmer temple, Prasat Hin Phanom Rung whose main tower is made from pink sandstone.


(An edited version of this article first appeared in the 20th April 2019 issue of The Hindu Business Line newspaper's BLink section on page 19  https://www.thehindubusinessline.com/blink/takeaway/ban-tha-sawang-a-thai-village-that-makes-the-kings-clothes/article26885860.ece)

Sunday, April 14, 2019

Land of Surprises


The Isan region in northeastern Thailand may not be on the ‘must-visit’ list of many travellers, but it does pack a mighty punch. Raul Dias gives you four reasons why you should consider this stunning part of the country for a vacation with a difference. 



By Raul Dias

I’ve always maintained that clichés aren’t as bad as they are made out to be. Especially when it comes to Thailand. I am a total sucker for the comforting familiarity a city like Bangkok affords me with its divine street food and pulsating nightlife. Or if I’m seeking some down time from all that, I know that artsy Chiang Mai way up north will provide me with that much-needed solace.
But every once in a while, I like to shake things up a bit and see a part of Thailand that has been eluding me thus far.
This time, that part happened to be Isan in the northeast of the country. As Thailand’s largest region, located on the Khorat Plateau, it is bordered by the Mekong River (along the border with Laos) to the north and east, by Cambodia to the southeast and the Sankamphaeng Range south of the province of Nakhon Ratchasima.
So, in order of brevity and a tight word limit, I’ll get straight to the point and list out the four reasons why Isan for me has been the best discovery of 2019 till now…

1. Visit a Monastery with a Difference
The city of Ubon Ratchathani was my very first stop on my Isan sojourn and the Wat Pah Nanachat a little outside the main city my first introduction to a rather unique system. This Buddhist monastery in the Theravada Forest Tradition was established in 1975 by Ven. Ajahn Chah with the aim of providing English-speaking men and women the opportunity to train and practice the simple and peaceful lifestyle that the Buddha taught his monks in the forests over 2,500 years ago. All this for free for stays of as little as three days to a lifetime!

2. Isan’s Natural Stunners
As the first of the two natural wonders of the region, the Pha Taem National Park covers an area of 140 square kilometers and is famous for its irregular shaped sandstones that look like giant mushrooms. But what it is equally popular among the local Thais for, is its numerous prehistoric cave paintings that date back 3,000-4,000 years. Scenes here depict fishing, rice farming, human figures, animals, hands and geometric designs—all still vivid to this very day.
Another calling card of Isan which is also lovingly called the ‘Grand Canyon of Thailand’ is Sam Pan Bok. Touching the border with Laos, it is made up of sandstone cliffs that run along the Mekong River. The Sam Pan Bok canyon is best seen by cruising along in a hired long tail boat that departs from the Song Khon village. One can also climb up to the plateau, the view from where is breathtaking. The seven meters tall and 20 meters wide plateau lying in the middle of the Mekong River is filled with many holes and basins in shapes that range from hearts to even Mickey Mouse. No wonder the name of the place Sam Pan Bok means ‘3,000 holes’.

3. Taste the Difference
Forget all about the typically Bangkok-style red/green/yellow curries or the ubiquitous pad thai and get set to let your taste buds get some unusual treats when in Isan. After your tryst with the ‘canyon’ treat yourself to a lunch of fresh Khong river fish and som tum papaya salad at the famous Krua Sam Pan Bok restaurant that is perched on a cliff overlooking the river. Or perhaps stop by for some khao tom (rice soup) at Raan Santi Pochana, a veritable institution in Ubon Ratchatani. For an early dinner head down to the town of Pimai. Here you will find Tew Pai Ped Yang, 20-year-old food shop that is famous for its special grilled duck with a crispy skin holding juicy duck meat within. Two other dishes not to be missed here are the famous Pimai fried noodles and the fermented pork ribs.

4. Temples Talk
End your trip to the Isan region by taking in the jay-dropping wonder of two Hindu temples that are truly unique. This is because both the Prasat Hin Muang Tum and the Prasat Hin Phanom Rung are each over 1,000 years old and made in the Khmer style, as the Buriram province that they are in is not far from the border with Cambodia. In the case of the former, the complex lies at the base of a mountain that is an extinct volcano and looks like a mini version of the great Ankor Wat Temple in Siem Reap, Cambodia. Built on top of a hill, Prasat Hin Phanom Rung has a grand tower that is made from pink sandstone which is why the complex is also known as Phanom Rung Stone Castle among the locals.

(An edited version of this column first appeared in the 14th April 2019 issue of The Free Press Journal newspaper's Weekend section on page 3 https://www.freepressjournal.in/travel/thailand-of-surprises-4-reasons-to-consider-isan-for-a-vacation-with-a-difference/1503821?fbclid=IwAR1TVWptR4DuL5v_X1zrcga6GLFFTm3rf0ta2iYJrWWZAtQklk6NLWsXSSg)

Goan ‘tar’ for Easter’s kuswar!


Edging out cutesy chocolate bunnies and marzipan eggs from our Goan Easter table is always dodol—the true kuswar star




By Raul Dias

Growing up in a bi-cultural Goan-Anglo Indian home in the early 90s, almost everything, culturally speaking, was neatly divvied up between the two vastly different Christian communities. While Christmas was always spent in frosty Jaipur with my mum’s family, tucking into Nan’s brandy-spiked plum pudding and gossamer-light, deep-fried rose cookies, Easter in Goa was a whole other affair.
The night before Maundy Thursday, my father would pile us all into his trusted old Amby, as mum would neatly pack chicken sandwiches, a mighty quiche Lorraine and a giant thermos flask of iced nimbu paani in the picnic hamper. All this as sustenance for the then 14-hour-long, overnight tryst with the Western Ghats, en route to four days of Easter feasting in our tiny village of Cavelossim that hugs the River Sal in South Goa’s Salcette region.

Loving Indulgence
While our large family home did have a fully functioning ‘western-style’ kitchen, it was the coconut husk-fired outdoor stove that my late grand aunt Flory and matriarch of the house, preferred cooking over. Here, she would toil for hours on end over the cinder-spewing flame, churning out one edible masterpiece after the other. Never once complaining about the soot as it coated her spectacle’s bifocal lenses with a thin layer of grey soot. Nor did she mind my grubby little hands reaching into a thali of cooling ‘tar’ for a cheeky taste test.         
Now, among the vast pantheon of Goa’s hallowed Easter kuswar (sweets) platter, ‘tar’ was always my favourite, thanks to its gooey, messy texture and earthy taste. Not to mention its oil-slick, jet black hue. It was also Tia Flory’s most demanded treat to us all. Never a fan of those luridly coloured marzipan Easter eggs with thick splodges of royal icing covering them or those waxy-tasting chocolate renditions of bunnies, my preferences were more local Goan sweets. Much to Tia Flory’s delight. And so indulge me, she did!

Onomatopoeia on a Thali
Even though it has a perfectly onomatopoeic name, the kind that rolls off one’s tongue just as smoothly as its silken texture does, dodol has always been ‘tar’ for me. It is also known to be referred to as black halwa by my posse of pals who seem to magically apparate into my dining room whenever mum sends over a thali of dodol, after carefully replicating Tia Flory’s original (and much guarded!) recipe.
Brought over to Goa from West Java by the Portuguese, it’s not surprising that I’ve encountered several iterations of dodol on my travels around South East Asia. But particularly in Indonesia. Commonly served during Eid, it is called jenang in the Javanese language, with even a local durian dodol available that is popular in the city of Medan. Closer home in Sri Lanka, it can be found in two versions: kalu dodol that’s made with kithul palm (caryota urens) jaggery and kiri dodol made with milk and cinnamon.

Bubble, Bubble Toil and Trouble!
But my earliest memories of dodol will always lie in those humid pre-Easter, March-April days in the Goa of my childhood. Carefully scraping a coconut on the kantonem to ensure that its milky white flesh bore no flecks of brown, Tia Flory would then introduce the scrapings to a fistful of soaked rice. Both soon to be ground to a thick pulp on the typically Goan rough granite mortar and pestle called a fator, which literally means stone.
The secret to its inky black colour, I’d soon learn, was thanks to the black jaggery. The kind that’s sold in the shape of tiny pyramids in Goa’s food markets. Made from the sap of the coconut palm, this madachem god jaggery was the de facto sweetener-cum-colourant of dodol, though Tia Flory did throw in a wad of the regular yellow jaggery for a bit of additional heft.
But the real action always began with the onset of the laborious hour-long stirring process. It was only when the lubricating ghee was added to the mixture that the real alchemy unfolded. Akin to a smouldering volcano, the by-now deep brown viscous liquid would bubble up. Every now and then its surface erupting with blisters of molten yumminess.
However, only when it had cooled down hours later, did it take on a shiny black colouring. Loathe to ruin its appearance with a garnish of any kind—despite protestations from other aunts who demanded cashew nut garnishes and other frivolities—Tia Flory would leave it as it was. Letting it revel in its firm, yet jellified countenance and sensual taste that bore hints of a molasse-y depth, coupled with top notes of toffee-like sweetness and that all-important additive—love!  
           

SUNDAY RECIPE
Goa Dodol
(Recipe courtesy, Ann Dias)

INGREDIENTS:
Coconut (scraped)1
Black Goa jaggery 250 gms
Regular yellow jaggery 50 gms
Ghee 2 tbsp
Rice (soaked) 4 tbsp
Chopped cashew nuts 10 gms (optional)


METHOD:
1. In a mixer, grind the scraped coconut and soaked rice together with a splash of water.
2. Reserve both the thick and thin extracts of the coconut-rice mixture and set aside separately.
3. In a heavy bottom kadhai, combine the thin extract and the two kinds of jaggery and cook on a medium to high flame, stirring continuously.
4. Once the mixture solidifies a bit, add the thick extract and the ghee. Keep stirring till the mixture turns a dark brown, almost black shade and till it leaves the sides of the kadhai.
5. Pour the mixture onto a greased thali and top with chopped cashew nuts, if desired.
6. Once cooled to room temperature, cut into squares or diamond shapes with a greased knife.    

(An edited version of this article first appeared in the 14th April 2019 issue of The Hindu newspaper's Sunday Magazine section on pages 26-27 https://www.thehindu.com/life-and-style/food/make-some-goan-tar-for-easter/article26817493.ece?fbclid=IwAR31OIkUuvuaIJ31ybyRcNc2tdzDU2fA5ClmtqN3hsD8BoYCGfuIxb4-khY)

Sunday, April 7, 2019

Notes from Indore



By Raul Dias

While other airports in India resort to a blend of wordless instrumental and folk tunes that serve as the ambient muzak, Indore’s Devi Ahilya Bai Holkar Airport relies on the mellifluous voice of singer Shantanu Mukherjee, a.k.a. Shaan. “Ho Halla”, which was Indore’s Swachhta Anthem song for the Minister for Urban Development’s Swachh Survekshan 2019, has now become a sort of battle cry in the Madhya Pradesh city’s cleanliness-fronted war. And for someone with a borderline cleanliness OCD like myself, spending a few days in Indore was like finding my own personal urban version of Valhalla.
Swachhta aadat hai, swachhta utsav hai” (cleanliness is a habit, cleanliness is a celebration), goes a line from the aforementioned song, which was part of the Indore Municipal Corporation’s (IMC) cleanliness campaign that saw it clinch the title of India’s cleanest city for three years in a row now from 2017 to 2019. The song even plays as municipal vehicles go about collecting garbage from households. In fact, I was later told, it is the de facto and mandatory caller tune of the phones of municipal officials and elected representatives.

Tastefully Clean! 
Now, if Indore’s meandering, perpetually bustling Sarafa Bazaar street were to be a human being, it would most certainly be accused of having a split personality. By day, it is a warren of jewellery shops enticing patrons with gleaming necklaces and rows of stacked bangles.
However, every night at 10 p.m., it dons another avatar: that of a street food haven serving up everything from the typically Induri mashed corn and ghee snack called bhutte ka kees, to the molecular gastronomy-influenced ice paan that makes your breath go all frosty thanks to the addition of liquid nitrogen.
But it is also probably one of the only food streets in the world that’s totally devoid of any food detritus. I saw not a single styrofoam plate or plastic cup littering the ground. Every one of the 200-plus food stalls is provided with segregated garbage bins for both dry and wet waste. And once the feeding frenzy winds down way past midnight, municipal trucks with specially fitted, pressured water jets hose down the street, leaving it spotless for the commercial onslaught of the day ahead.

Seven Plus One
Interestingly, this newfound cleanliness zeal is not limited to the authorities alone. Indore’s citizens too have taken to the cause with fervour.
This is most evident at celebratory occasions like the ‘great Indian wedding’! Giving a cool new fillip to the saat pherasor seven pledges — each corresponding to a round of the sacred fire to solemnise the ceremony — is Indore’s version of the eighth pledge. With it, the newlywed couple is administered the oath of cleanliness. And here’s another uber cool initiative: dustbins are even distributed during such wedding ceremonies to guests as return gifts.
Speaking of dustbins, for the last two years, the IMC is believed to have distributed thousands of bottle-shaped dustbins — which neatly fit into the car door bottle-holders — to vehicle owners to encourage them not to litter on the roads. So chuffed was I to see them that I even picked up a couple to take back home for friends and family, each for a mere ₹35.
And as for one of India’s biggest problems, open defecation, the city has employed something known locally as ‘dabba gangs’ that patrol the city, discouraging open defecation and urging people to use the newly constructed public toilets that one can see everywhere in Indore.
Will it be a case of fourth time's a lucky charm for the nation’s cleanest city in 2020, or will it be ‘cleaned out’ of the competition? I’d wager a bet on the former.


(This article first appeared in the 7th April 2019 issue of The Hindu newspaper's Sunday Magazine section on page 27 https://www.thehindu.com/life-and-style/travel/indore/article26743786.ece)

Thursday, April 4, 2019

Conceptually Yours!

Cashing in on the latest international trend of the ‘Concept Restaurant’ are a host of interesting eateries in the Delhi NCR where everything from themed restaurants to ones where you can buy the furniture are drawing in those seeking to dine with a difference. 




By Raul Dias

Plum by Bentchair
The idea behind the inception of this unique conceptual restaurant is truly an interesting one! The product of a collaboration between a hospitality and a furniture brand, Plum, India’s first true ‘retail restaurant’ offers people the option of buying whatever catches their fancy in the breathtakingly beautiful and eclectic space nestled in city’s plush Aerocity super hub. From the furniture to the lights to the plates, everything is on sale. From the design aspect, the entire restaurant is a display area of different collections and is all about the small details, which are colourful, kitsch (in a good way!) and eye-catching. Every dimension is well-kept and blends into each other rather than being distinctive. As for the food, the Pan-Asian cuisine menu is replete with everything from the smoked eel nigiri to the crispy Thai lotus root and the spicy Cantonese barbeque chicken bao. With the striking, blue butterfly pea flower as the newest rage on the Indian dining scene, here too one can find the Thai ingredient in Plum’s iteration of crispy garlic fried rice with edamame. And for those still craving some sushi, the very innovative Nutella banana sushi seeks to remedy that.
The Walk, Worldmark 2, Aerocity, New Delhi-110037
Tel: 091-7303156444

Nueva
As Delhi’s first Peruvian cuisine restaurant, Nueva which means “new” in Spanish is pushing the boundaries as far as the city’s burgeoning concept restaurant scene is concerned. It does this to enormous success with both its stylish look and with its rather unfamiliar and exotic food offerings. The restaurant’s sophisticated, dark toned interiors and art deco accents are well-distributed between its three zones of the downstairs bar, the main dining hall and the angular 12-person private dining room on the first floor. Besides the strong presence of the expected Pervuian classics like shrimp and scallop ceviches and sushis—that reference the unique Japanese-Peruvian blend that’s known as Nikkei cuisine—there are also plenty of other Latin American dishes and drinks on the menu. From assados to dishes like the castila and saltado de carne, all bring that Latino flare to the experimental diner. Nueva even does a 12-course degustation menu where you can sample small portions of its menu’s top dishes.
Ground floor, Sangam Courtyard, R.K. Puram, New Delhi-110022
Tel: 011-65568382/9266668382
 

Unplugged Courtyard
Channelling the chilled-out vibe that transports you straight to the climes of Goa right in the heart of Gurgaon’s precinct of Udyog Vihar, this conceptual restaurant is welcoming, intimate and quite effortlessly dramatic. All that’s missing is the feel of the waves lapping at your toes! The space is understatedly elegant and generously spaced over 15,000 square feet spanning two levels, boasting of a terrace area, a secret garden and a quirky full-scale mock double decker bus that give the place a distinctly ‘comfy’ feel, without ever seeming over-designed. One of the few restaurants in this part of the NCR to offer daily, live acoustic music, Unplugged Courtyard truly lives up to its ‘unplugged’ concept. Offering up an eclectic mix of Indian, pan-Asian and Italian cuisine, the menu is designed and executed by ex-Noma, Copenhagen chef, Akshay Bhardwaj. Here, one can expect to experimental creations like duck kulchas and the atta chicken that’s baked whole covered by banana leave and a sealed with dough along with some beautifully presented drinks to sip on. 
No 9 Convenience Shopping Complex, Phase II, Udyog Vihar, Sector 20, Gurgaon-122012
Tel: 091-9319892965

Le Cirque 
Literally meaning ‘The Circus’, the concept-driven Le Cirque is all about the fun and the whimsical set in a chic and sophisticated atmosphere. From the beautifully-appointed bar lounge and the three spacious dining rooms to the alfresco seating with breath-taking views of New Delhi’s majestic Diplomatic Enclave, the 144-seat restaurant is drama personified. Even the exquisite porcelain Bernardaud tableware with its balloon motif mirror the restaurant’s playful side. As for the food, each of the items offered remain true to the Le Cirque vision of classic, yet innovative French-Italian cuisine. Signature dishes include seafood classics like the turbot àla grenoblaise where the fish is served with cauliflower, lemon, capers and almonds and the paupiette of black cod. For afters indulge in the two must-haves—cannoli and the floating island ‘Le Cirque’.           
The Leela Palace New Delhi, Chanakyapuri, Diplomatic Enclave, New Delhi-110023
Tel: 011-39331220

Swad
Bringing an interesting desi twist to the NCR’s new-found conceptual dining scene is this all-vegetarian multicuisine restaurant that serves dishes with a quirky spin to them. Imbued with plenty of kitschy elements, the contemporary-meets-Irani cafe inspired décor of the restaurant gives it a casual and relaxed vibe. Here you can tuck into interestingly presented dishes like the masala paneer slider that is injected with makhani gravy, the aloo-wadi curry that comes to the table in a small red pressure cooker or the kulhad wale palak chole chawal that’s served upside down. From the menu’s western and Asian sections, you can pick from Indianised renditions of everything from Mexican chimichanga rolls to the spicy Bangkok Manchurian bowl—never mind the geographical inaccuracies of the words ‘Bangkok’ and ‘Manchurian’ put together in the same sentence!
43, Ground Floor, Chiranjivi Tower, Nehru Place, New Delhi-110019
Tel: 091-9821524232


Enter, the concept nightclub!
Toy Room 
Riding the coattails of the concept restaurant boom in the Delhi NCR is this very unique ‘concept nightclub’. With a cuddly teddy bear named ‘Frank’ as its mascot, this 400-seater place is filled with children’s toys and other fun imagery—all in an entertaining, high-octane setting, bringing a subtle innocence to some hardcore partying. The interiors of Toy Room are chic, yet vibrant and quirky. The grand entrance lobby housed with a special merchandise area is dominated by a whimsical rendition of the classic last supper painting. Meander through the narrow passage leading to the main hall which is a L-shaped space with a huge curvilinear island bar serving a range of libations. Interestingly, for a nightclub, the food on offer here is an excellent selection of tapas style, small plates of sushis, dimsum and one of the best iterations of a simple pizza margherita you’ll ever have in the NCR.               
ALOFT Hotel Aerocity, Aerocity, New Delhi- 110037
Tel: 091-9953137673


(An edited version of this article first appeared in the April 2019 issue of Jetwings in-flight magazine of Jet Airways http://www.jetairways.com/EN/IN/jetexperience/magazines.aspx)